Incidental music for Antigone, Oedipus, Athalia

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Felix Mendelssohn is associated with one brilliant score of incidental music for the theatre -- A Midsummer Nights Dream -- but in fact he composed scores for no less than 15 stage works. The most significant of them, including the three works in this set, date from the period when he was employed by King Frederick William IV of Prussia, who was strongly attracted to the spirit of Romanticism and the culture of Greek antiquity. Mendelssohn was drawn to Sophocless tragedy Antigone by its strong dramatic sense and its universal themes, particularly Antigones pathos and heroism. In addition to setting several of the choruses, he composed interludes and background music for speeches and dialogues. His highly effective score is intensely noble and romantic yet also sensitive to the verse. His music for Sophocless Oedipus at Colonus moves further away from Athenian dramatic form, with accompanied recitative, solos and duets for the principal characters, and is more elaborate. It has a tragic intensity not often heard in his music. His score of incidental music for Racines religious drama Athalie is typical of the composers style -- characterised by flowing, sustained melodic invention, colourful orchestration and imaginative scoring for the voices. It displays the composer at the height of his powers both as a musical dramatist and an orchestral tone-poet. About the performers: Antigone and Oedipus at Colonus are performed by the Radio Symphony Orchester, Berlin, conducted by Stefan Soltesz, with the Berliner Rundfunkchor and Männerchor Carl Maria von Weber. Athalia is performed by Das Neue Orchester, conducted by Christoph Spering. The major roles for bass in both Sophocles dramas are sung by René Pape. The role of Antigone is taken by Therese Hämer and Creon is played by Klaus Piontek. Otto Sander takes the role of Oedipus. -Stefan Soltesz worked Berlin Radio Symphony Orchestra, Munich Radio Orchestra and Lucia Popp

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