Dane szczegółowe: | |
Wydawca: | Wydawnictwo Naukowe UAM |
Rok wyd.: | 2008 |
Oprawa: | miękka |
Ilość stron: | 221 s. |
Wymiar: | 170x240 mm |
EAN: | 9788323219767 |
ISBN: | 978-83-2321-976-7 |
Data: | 2009-09-25 |
Cena wydawcy: 29.19 złpozycja niedostępna
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Opis książki:
Maciej Jabłoński (Poznań) Piotr Podlipniak (Poznań) Music as a Medium of Communication. Two Visions of Musicology Ludwik Bielawski (Warszawa) Music and Art - Levels of Communication Sylwia Makowska (Warszawa) Andrzej Rakowski (Warszawa, Poznań) Absolute Pitch and Its Significance in the System of Musical Communication
Książka "Interdisciplinary Studies in Musicology 7" - Danuta Jasińska (red.) - oprawa miękka - Wydawnictwo Naukowe UAM. Książka posiada 221 stron i została wydana w 2008 r.
Spis treści:
Contributors From the Editors
MACIEJ JABŁOŃSKI (Poznań) PIOTR PODLIPNIAK (Poznań)
Music as a Medium of Communication. Two Visions of Musicology
LUDWIK BIELAWSKI (Warszawa)
Music and Art - Levels of Communication
SYLWIA MAKOMASKA (Warszawa) ANDRZEJ RAKOWSKI (Warszawa, Poznań) Absolute Pitch and Its Significance in the System of Musical Communication
PIOTR DAHLIG (Warszawa)
Hearing and Obedience in Traditional Cultures as a Condition for Transcendent Communication
BOGUMIŁA MIKA (Katowice)
Reception of Music as a Cultural Process
ANNA CZEKANOWSKA (Warszawa)
At the Foundations of Musical Metaphor: Models of Nature or Abstractly Presented Symbols
EWA SCHREIBER (Poznań)
On Analytical Listening in the Context of Metaphoric Imagination
KRZYSZTOF GUCZALSKI (Kraków)
How Music Combines with Words?
BOŻENA MUSZKALSKA (Poznań, Wrocław) To Converse in Song with the Infinite JAROSŁAW MIANOWSKI (Poznań)
On Three Paradigms of Emotional Communication in Music
ANNA KOSZEWSKA (Poznań)
Communication versus Value. On Two Places of the Interpretation of Music
ALINA MĽDRY (Poznań)
The Relationship between Notation and Performance in the Keyboard Compositions of ?. P. E. Bach. A Composer s Specific Attempt to Communicate with Performers and Listeners
JAKUB KASPERSKI (Poznań)
French Requiems from the Years 1877-1963 as Thanatological Communication
MARCIN GMYS (Poznań)
Arnold Böcklin s Im Spiel der Wellen as Interpreted in Music by Composers Ludomir Różycki and Max Reger. A Contribution to the Theory and History of Musical Ekphrasis
MARCIN TRZĘSIOK (Katowice)
Claude Debussy. A Grammar of Imagination
JUSTYNA HUMIĘCKA-JAKUBOWSKA (Poznań)
Mental Representations of Tonal Images in Twentieth-Century Sonoristic Compositions
ADRIANA GAŁDYŃSKA-MAZAN (Poznań)
Jerzy Grotowski s Idea of an Actor s or Performer s Inner Action
MACIEJ JABŁOŃSKI (Poznań) PIOTR PODLIPNIAK (Poznań)
Music as a Medium of Communication. Two Visions of Musicology
LUDWIK BIELAWSKI (Warszawa)
Music and Art - Levels of Communication
SYLWIA MAKOMASKA (Warszawa) ANDRZEJ RAKOWSKI (Warszawa, Poznań) Absolute Pitch and Its Significance in the System of Musical Communication
PIOTR DAHLIG (Warszawa)
Hearing and Obedience in Traditional Cultures as a Condition for Transcendent Communication
BOGUMIŁA MIKA (Katowice)
Reception of Music as a Cultural Process
ANNA CZEKANOWSKA (Warszawa)
At the Foundations of Musical Metaphor: Models of Nature or Abstractly Presented Symbols
EWA SCHREIBER (Poznań)
On Analytical Listening in the Context of Metaphoric Imagination
KRZYSZTOF GUCZALSKI (Kraków)
How Music Combines with Words?
BOŻENA MUSZKALSKA (Poznań, Wrocław) To Converse in Song with the Infinite JAROSŁAW MIANOWSKI (Poznań)
On Three Paradigms of Emotional Communication in Music
ANNA KOSZEWSKA (Poznań)
Communication versus Value. On Two Places of the Interpretation of Music
ALINA MĽDRY (Poznań)
The Relationship between Notation and Performance in the Keyboard Compositions of ?. P. E. Bach. A Composer s Specific Attempt to Communicate with Performers and Listeners
JAKUB KASPERSKI (Poznań)
French Requiems from the Years 1877-1963 as Thanatological Communication
MARCIN GMYS (Poznań)
Arnold Böcklin s Im Spiel der Wellen as Interpreted in Music by Composers Ludomir Różycki and Max Reger. A Contribution to the Theory and History of Musical Ekphrasis
MARCIN TRZĘSIOK (Katowice)
Claude Debussy. A Grammar of Imagination
JUSTYNA HUMIĘCKA-JAKUBOWSKA (Poznań)
Mental Representations of Tonal Images in Twentieth-Century Sonoristic Compositions
ADRIANA GAŁDYŃSKA-MAZAN (Poznań)
Jerzy Grotowski s Idea of an Actor s or Performer s Inner Action