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Tytuł książki:

20th Century Aesthetics in Poland. Masters and Their Followers

Dane szczegółowe:
Wydawca: Wydawnictwo Naukowe Semper
Rok wyd.: 2012
Oprawa: miękka
Ilość stron: 292 s.
Wymiar: 176x250 mm
EAN: 9788375071399
ISBN: 978-83-7507-139-9
Data: 2013-02-11
61.43 
pozycja dostępna Wyślemy w czasie: 7 dni

Opis książki:

Aesthetics understood as the philosophy of the fine arts has always been an object of lively interest in Poland. It is Józef Kremer (1802-1875, a specialist in Hegel?s philosophy, a professor at the Jagiellonian University and the Cracovian School of Fine Arts) who is recognized as the first Polish academic aesthetician. His works Podróż do Włoch [A Journey to Italy] and Listy z Krakowa [Letters from Cracow] dealt with problems from the area of art and aesthetics and - like his lectures on the history of art - earned him the highest praise. Despite his clearly Hegelian background, he did not accept the theory about art being inferior to philosophy. Neither did he approve of the thesis about the end of art. In accord with the spirit of Romanticism he supported the cult of art and praised creative fantasy. He was the first to discuss systematic aesthetics and, simultaneously, his thrilling descriptions of pieces of art and aesthetic experiences presented in literary form in his A Journey to Italy influenced the aesthetic tastes of his contemporaries.

Apart from Kremer, his friend Karol Libelt - a philosopher, aesthetician and a specialist in Hegelian philosophy as well - defended the autonomy of art, which was supposed to serve beauty only. The representatives of Polish aesthetics of Romanticism also included Bronisław Trentowski and August Cieszkowski. fragment Wstępu

Książka "20th Century Aesthetics in Poland. Masters and Their Followers" - oprawa miękka - Wydawnictwo Naukowe Semper. Książka posiada 292 stron i została wydana w 2012 r. Cena 61.43 zł. Zapraszamy na zakupy!

Spis treści:

Krystyna Wilkoszewska
Introduction
Masters
Alicja Kuczyńska
Władysław Tatarkiewicz: Pluralistic Aesthetics
Andrzej Tyszczyk
The Stratified Structure of the Work of Art. On Roman Ingarden’s Aesthetics
Bohdan Dziemidok
Stanisław Ossowski’s Aesthetics
Continuators
Zofia Rosińska
The Model of Aesthetic Experience. The Theory of Leopold Blaustein
Grzegorz Sztabiński
From Methodology to Aesthetics. Aesthetic Views of Tadeusz Pawłowski
Iwona Lorenc, Grzegorz Sztabiński
Logos, Mythos and Avant‐garde Art. The Philosophical and Aesthetic Views of Stefan Morawski
Aesthetics and Art Criticism
Józef Tarnowski
Stanisław Witkiewicz and Reconceptions in Polish Aesthetics
Jolanta Sztachelska
Henryk Struve - Critic of the Transition Era
Sław Krzemień‐Ojak
Unveiling Michał Sobeski’s Aesthetics
Teresa Pękala
The Aesthetics of Mieczysław Wallis
Dealing with Arts
Teresa Kostyrko
Leon Chwistek - a Protagonist of Modern Aesthetics
Grzegorz Sztabiński
From A Work of Art as an “Objective Thing” to an Expression of Social Awareness. Strzemiński’s Views on Aesthetics
Aesthetics and other Disciplines of Knowledge
Zbigniew Skowron
Music - its Structure, Experience and Message. On Zofia Lissa’s Musical and Aesthetic Explorations
Maria Kielar‐Turska
Stefan Szuman - Artistically Talented Scholar
Alicja Kuczyńska
Jan Białostocki’s Aesthetics and New History of Art Vision
Contributors